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List of set classes. Ninth chord. Open chord. Passing chord. Primary triad. Quartal chord. Root (chord) Seventh chord. Synthetic chord.
The guitar zither (also chord zither, fretless zither, [ 1][ 2] mandolin zither[ 3] or harp zither[ 4]) is a musical instrument consisting of a sound-box with two sets of unstopped strings. One set of strings is tuned to the diatonic, chromatic, or partially chromatic scale and the other set is tuned to make the various chords in the principal ...
The Tristan chord analyzed as a French sixth (in red) with appoggiatura and dominant seventh with passing tone in A minor. [ 6 ] The chord is an augmented sixth chord, specifically a French sixth chord, F–B–D ♯ -A, with the note G ♯ heard as an appoggiatura resolving to A. (Theorists debate the root of French sixth chords.) The harmonic ...
On the Threshold of a Dream. (1969) Singles from In Search of the Lost Chord. "Voices in the Sky". Released: 28 June 1968. "Ride My See-Saw". Released: 12 October 1968. In Search of the Lost Chord is the third album by the Moody Blues, released in July 1968 on the Deram label.
Contents. Guitar tunings. Guitar tunings are the assignment of pitches to the open strings of guitars, including classical guitars, acoustic guitars, and electric guitars. Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e ...
Read the full guide to MIDI keyboard controller for beginners. After 30 hours of research and hands-on testing, we think the Arturia MiniLab MkII is the best all-around 25-key MIDI keyboard ...
Guitar chord. Ry Cooder plays slide guitar using an open tuning that allows major chords to be played by barring the strings anywhere along their length. In music, a guitar chord is a set of notes played on a guitar. A chord's notes are often played simultaneously, but they can be played sequentially in an arpeggio.
The Petrushka chord is defined as two simultaneous major triads separated by a tritone. In Petrushka, Stravinsky used C major on top of F ♯ major (the latter presented here in first inversion ): The device uses tones that, together, make up a synthetic hexatonic scale (0 1 4 6 7 t). When enharmonically spelled C–D ♭ –E–G ♭ –G ...