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Utang na loob (Visayan: utang kabubut-un) is a Filipino cultural trait which, when translated literally, means "a debt of one's inner self ()." [1]Charles Kaut translated the term in 1961 as a "debt of gratitude," [2] [3] while Tomas Andres took his cue from Kaut when he translated it in 1994 as "reciprocity," [3] but Virgilio Enriquez suggests a more accurate translation in combining the ...
Tagalog grammar (Tagalog: Balarilà ng Tagalog) are the rules that describe the structure of expressions in the Tagalog language, one of the languages in the Philippines . In Tagalog, there are nine parts of speech: nouns ( pangngalan ), pronouns ( panghalíp ), verbs ( pandiwà ), adverbs ( pang-abay ), adjectives ( pang-urì ), prepositions ...
In translation, a source text (ST) is a text written in a given source language which is to be, or has been, translated into another language, while a target text (TT) is a translated text written in the intended target language, which is the result of a translation from a given source text.
A caution to a reader when using one example to illustrate a related but slightly different situation. The caution is that the reader must adapt the example to change what is needed for it to apply to the new situation. ne exeat: let him not exit [the republic] Shortened version of ne exeat republica: "let him not exit the republic". A writ to ...
Mano ( Tagalog: pagmamano) is an "honouring-gesture" used in Filipino culture performed as a sign of respect to elders and as a way of requesting a blessing from the elder. Similar to hand-kissing, the person giving the greeting bows towards the hand of the elder and presses their forehead on the elder's hand.
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Ang Huling Timawa by Servando de Los Angeles, 1936. Kayumanggi at Iba Pang Mga Tula by Amado V. Hernandez, 1940. Timawa (Free Person/Slave) by Agustin Fabian, 1953. Luha ng Buwaya by Amado V. Hernandez, 1963. Sa Mga Kuko ng Liwanag (In the Claws of Brightness) by Edgardo M. Reyes, 1966–1967. Dekada '70 by Lualhati Bautista, 1983.