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According to the Acts of the Apostles, chapter 10, Saint Peter had a vision of a vessel ( Greek: σκεῦος, skeuos; "a certain vessel descending upon him, as it had been a great sheet knit at the four corners") full of animals being lowered from heaven ( Acts 10:11 ). A voice from heaven told Peter to kill and eat, but since the vessel (or ...
The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
The Last Judgment(Italian: Il Giudizio Universale)[1]is a frescoby the Italian Renaissance painter Michelangelocovering the whole altarwall of the Sistine Chapelin Vatican City. It is a depiction of the Second Coming of Christand the final and eternal judgmentby God of all humanity.
Last Supper, by Dagnan-Bouveret, 1896. There are two major scenes shown in depictions of the Last Supper: the dramatic announcement of the betrayal of Jesus, and the institution of the Eucharist. After the meal the further scenes of Jesus washing the feet of his apostles and the Farewell Discourse (farewell of Jesus to his disciples) are also ...
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations.
The Healing of the Paralytic – one of the oldest known depictions of Jesus, [ 18] from the Syrian city of Dura Europos, dating from about 235. Initially Jesus was represented indirectly by pictogram symbols such as the ichthys (fish), the peacock, or an anchor (the Labarum or Chi-Rho was a later development).
Michelangelo 's Pietà in Saint Peter's Basilica, 1498–1499. The Pietà ( Italian pronunciation: [pjeˈta]; meaning " pity ", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the dead body of Jesus Christ after his Descent from the Cross. It is most often found in sculpture.
Moses (Italian: Mosè [moˈzɛ]; c. 1513–1515) is a sculpture by the Italian High Renaissance artist Michelangelo, housed in the church of San Pietro in Vincoli in Rome. [2] Commissioned in 1505 by Pope Julius II for his tomb, it depicts the biblical figure Moses with horns on his head, based on a description in chapter 34 of Exodus in the ...
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