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The table of contents page of the Poetics found in Modern Library's Basic Works of Aristotle (2001) identifies five basic parts within it. [12] Preliminary discourse on tragedy, epic poetry, and comedy, as the chief forms of imitative poetry. Definition of a tragedy, and the rules for its construction. Definition and analysis into qualitative ...
Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly. [2] [3] Poetics is distinguished from hermeneutics by its focus on the synthesis of non-semantic elements in a text rather ...
Aristotle taught that tragedy is composed of six elements: plot-structure, character, style, thought, spectacle, and lyric poetry. [135] The characters in a tragedy are merely a means of driving the story; and the plot, not the characters, is the chief focus of tragedy.
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...
Aristotelianism ( / ˌærɪstəˈtiːliənɪzəm / ARR-i-stə-TEE-lee-ə-niz-əm) is a philosophical tradition inspired by the work of Aristotle, usually characterized by deductive logic and an analytic inductive method in the study of natural philosophy and metaphysics. It covers the treatment of the social sciences under a system of natural law.
Descriptive poetics. Descriptive poetics is an analytic approach within literary studies. While the concept of poetics goes back to Aristotle, the term "descriptive poetics" refers to an approach which, according to Brian McHale, represents a middle ground between theoretically oriented approaches and analyses of individual works of literature.
t. e. On the Sublime (Greek: Ancient Greek: Περì Ὕψους Perì Hýpsous; Latin: De sublimitate) is a Roman-era Greek work of literary criticism dated to the 1st century C.E. Its author is unknown, but is conventionally referred to as Longinus ( / lɒnˈdʒaɪnəs /; Ancient Greek: Λογγῖνος Longĩnos) or Pseudo-Longinus.
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