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The Bell & Howell 2709 was the first all metal, commercially available motion picture camera. [citation needed] [2] The 2709 was so expensive that only Charlie Chaplin and three other people owned one, [3] while the rest were owned by studios. Bell & Howell introduced products that improved the quality of projected images in a movie theater.
Eyemo with Motor and Nikon Lens. The Eyemo is a non-reflex camera: viewing while filming is through an optical viewfinder incorporated into the camera lid. Some models take one lens only. In 1929 there was the first three-port Eyemo, while the "spider model" features a rotating three-lens turret and a "focusing viewfinder" on the side opposite ...
The Filmo 70 was the first spring motor-driven 16 mm camera. In 1925 the Eyemo, a hand-held 35 mm camera based on the design of the Filmo 70 was offered. It was also spring driven, but could be hand-cranked as well. Bell & Howell introduced the first 16 mm turret camera with its Model C in 1927. A beautifully ornate and much more compact 16mm ...
These models, branded as either G.B.-Bell & Howell or Bell & Howell-Gaumont in Great Britain, were identical to the American models except in model number. During the 1950s G.B.-Bell & Howell either manufactured or distributed a number of 8 mm and 16 mm cine-cameras and projectors. G.B.-Kershaw and G.B.-Kalee Gaumont-Kalee GK21 35mm cine film ...
Alice Lovejoy has recently documented the sizable contracts for film stock between Eastman Kodak and various branches of the military. Bell and Howell, just one of the major manufacturers with ...
Zapruder's movie camera was an 8 mm Bell & Howell Zoomatic Director Series Model 414 PD—top-of-the-line when it was purchased in 1962. [citation needed] Zapruder had planned to film the motorcade from his office window but opted for a better spot in Dealey Plaza where the motorcade would be passing. [19]
Canon NS (1939) New Standard. A Canon S without the slow shutter speeds. Canon J (1939) J stands for Junior a non-rangefinder model. Canon J II (1946) Similar if not the same as prewar cameras. Canon S (1946) Similar if not the same as prewar cameras. Canon S II (1946) A redesign with combined range finder and viewfinder functions – two windows.
The 35 mm film gauge has long been the most common gauge in professional usage, and thus enjoys the greatest number of cameras currently available for professional usage. The modern era of 35 mm cameras dates to 1972, when Arri 's Arriflex 35BL and Panavision 's original Panaflex models emerged as the first self-blimped, lightweight cameras.
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