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Gold ground (both a noun and adjective) or gold-ground (adjective) is a term in art history for a style of images with all or most of the background in a solid gold colour. Historically, real gold leaf has normally been used, giving a luxurious appearance. The style has been used in several periods and places, but is especially associated with ...
Dimensions. 180 cm × 180 cm (71 in × 71 in) Location. Österreichische Galerie Belvedere, Vienna, Austria. The Kiss ( German: Der Kuss) is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. [ 3] It was painted at some point in 1907 and 1908, during the height of what scholars ...
Gustav Klimt. Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, [ 1] and his works are marked by a frank eroticism. [ 2]
Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer.
Kintsugi. Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi (金繕い, "golden repair"), [ 1] is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum.
Olga de Amaral (born 1932 [1]) is a Colombian textile and visual artist known for her large-scale abstract works made with fibers and covered in gold and/or silver leaf. . Because of her ability to reconcile local concerns with international developments, de Amaral became one of the few artists from South America to become internationally known for her work in fiber during the 1960s and ‘7
The frieze combined Ancient Greek, Byzantine, early medieval, and Japanese art styles, while incorporating Klimt's characteristic use of gold leaf. Its left side begins with genii floating toward a knight, driving him to champion the driving force: happiness.
Since the late 1980s, Hodges created a broad range of work exploring themes of fragility, temporality, love, and death. [2] His works frequently employed different materials and techniques, from ready-made objects to more traditional media, such as metal chains, artificial flowers, gold leaf, and mirrored elements.
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