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"Help Me, Rhonda" is a song by American rock band the Beach Boys, appearing first on their 1965 album The Beach Boys Today! (where it was spelled "Help Me, Ronda") and subsequently in re-recorded form on the following 1965 album Summer Days (And Summer Nights!!). It was written by Brian Wilson, with additional lyrics by Mike Love.
[2] [3] He wrote both "Keep On Running" and "Somebody Help Me", that became number one singles in the United Kingdom for The Spencer Davis Group. [1] [2] He continued to work as a recording artist himself, with regular album releases through to the mid-1980s. Much of his later work was produced by Bunny Lee.
"Somebody Have Mercy" is a song by American singer-songwriter Sam Cooke, originally released in April 1962 on the album Twistin' the Night Away. Background [ edit ]
Tell Them You Love Me is a documentary film that details the case against Anna Stubblefield, a Rutgers University professor convicted in 2015 of sexually abusing Derrick Johnson, a nonverbal cerebral palsy sufferer who she was allegedly supporting through facilitated communication. [2]
Close (/ k l oʊ s /) is a 2022 coming-of-age drama film directed by Lukas Dhont, and written by Dhont and Angelo Tijssens, reteaming after their first feature film Girl (2018). ). The film stars Eden Dambrine, Gustav De Waele, Émilie Dequenne and Léa Dru
"Somebody Loves Me" is a popular song, with music written by George Gershwin, and lyrics by Ballard MacDonald and Buddy DeSylva. The song was published in 1924 and featured in George White's Scandals of 1924. This is not to be confused with the Southern gospel song written by W.F. & Marjorie Crumley.
The Spencer Davis Group's first three studio albums weren't released in the US and Canada. Instead, the first two albums released there were Gimme Some Lovin' and I'm a Man in 1967, both of which compiled tracks from the three studio albums.
Of the film's ending being likened by audiences to a Hollywood romantic comedy, Maggenti said, "A lot of people have mentioned to me that the shot looks like a marriage portrait… That final shot is actually a very ambivalent shot, leaving them at the threshold of adulthood, a relationship, their families, everything."