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Alexamenos graffito. The Alexamenos graffito (also known as the graffito blasfemo, or blasphemous graffito) [ 1]: 393 is a piece of Roman graffito scratched in plaster on the wall of a room near the Palatine Hill in Rome, Italy, which has now been removed and is in the Palatine Museum. [ 2] Often called the earliest depiction of Jesus, the ...
The Healing of the Paralytic – one of the oldest known depictions of Jesus, [ 18 ] from the Syrian city of Dura Europos, dating from about 235. Initially Jesus was represented indirectly by pictogram symbols such as the ichthys (fish), the peacock, or an anchor (the Labarum or Chi-Rho was a later development).
The Penitent Thief, also known as the Good Thief, Wise Thief, Grateful Thief, or Thief on the Cross, is one of two unnamed thieves in Luke's account of the crucifixion of Jesus in the New Testament. The Gospel of Luke describes him asking Jesus to "remember him" when Jesus comes into his kingdom. The other, as the impenitent thief, challenges ...
The Koine Greek terms used in the New Testament of the structure on which Jesus died are stauros (σταυρός) and xylon (ξύλον).These words, which can refer to many different things, do not indicate the precise shape of the structure; scholars have long known that the Greek word stauros and the Latin word crux did not uniquely mean a cross, but could also be used to refer to one, and ...
Simon of Cyrene. Simon of Cyrene ( Hebrew: שמעון, Standard Hebrew Šimʿon, Tiberian Hebrew Šimʿôn; Greek: Σίμων Κυρηναῖος, Simōn Kyrēnaios) was the man compelled by the Romans to carry the cross of Jesus of Nazareth as Jesus was taken to his crucifixion, according to all three Synoptic Gospels: [ 3][ 4] And as they ...
In Christian teachings, eternal life is not an inherent part of human existence, and is a unique gift from God, based on the model of the Resurrection of Jesus, viewed as a unique event through which death was conquered "once for all", permitting Christians to experience eternal life. [ 7] This eternal life is provided to believers, generally ...
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]