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Gene Siskel. Eugene Kal Siskel (January 26, 1946 – February 20, 1999) was an American film critic and journalist for the Chicago Tribune. He is best known for co-hosting various movie review television series with colleague Roger Ebert. [ 1]
Siskel and Ebert. Gene Siskel (January 26, 1946 – February 20, 1999) and Roger Ebert (June 18, 1942 – April 4, 2013), collectively known as Siskel & Ebert, were American film critics known for their partnership on television lasting from 1975 to Siskel's death in 1999. [ 1]
The current location is directly across the street from the Chicago Theatre and directly south of the ABC Building, where Siskel & Ebert and successor series Ebert & Roeper recorded weekly from 1996 until 2008. Its current facilities, which consist of two theaters capable of projecting most formats, are considered state-of-the-art.
Budget. $1.3 million. Box office. $29.1 million [ 1] The Last Picture Show is a 1971 American coming-of-age drama film directed and co-written by Peter Bogdanovich, adapted from the semi-autobiographical 1966 novel of the same name by Larry McMurtry. The film's ensemble cast includes Timothy Bottoms, Jeff Bridges, Ellen Burstyn, Ben Johnson ...
Gene Siskel and Roger Ebert inspired a generation of future film critics. Matt Singer returns the favor in 'Opposable Thumbs,' his bio of the odd couple.
The Breakfast Club. The Breakfast Club is a 1985 American indie [ 4][ 5] teen coming-of-age comedy-drama film written, produced, and directed by John Hughes. It stars Emilio Estevez, Paul Gleason, Anthony Michael Hall, Judd Nelson, Molly Ringwald, and Ally Sheedy. The film tells the story of five teenagers from different high school cliques who ...
The show first aired in 1975 on a monthly basis under the name Opening Soon at a Theater Near You [3] and, after two successful seasons, was renamed Sneak Previews. [1] The show originally featured Roger Ebert, a film critic from the Chicago Sun-Times, and Gene Siskel, a film critic from the Chicago Tribune.
It was a significant bounce-back for Coppola, earning strong reviews (with Gene Siskel comparing it to Rebel Without a Cause and American Graffiti) and a $33 million haul (on a budget of $10 million).