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The album contains a cover of the Bob Marley song "War", which O'Connor famously performed on Saturday Night Live in 1992 while ripping up a photo of Pope John Paul II. [13] The cover art depicts a photograph of O'Connor in the dress and veil she wore at her First Holy Communion as a child.
The extended play Gospel Oak (1997) and live album Live at the Sugar Club (2008) were also issued, and O'Connor's compilations consist of five sets—So Far... The Best Of (1997), Sinéad O'Connor: Best Of (2000), She Who Dwells in the Secret Place of the Most High Shall Abide Under the Shadow of the Almighty (2003), Collaborations (2005) and ...
Released: 8 October 1990 [4] I Do Not Want What I Haven't Got is the second studio album by Irish singer Sinéad O'Connor, released in March 1990 by Ensign/Chrysalis Records. It contains O'Connor's version of the Prince song "Nothing Compares 2 U", which was released as a single and reached number one in multiple countries.
I'm Not Bossy, I'm the Boss is the tenth and final studio album by Irish singer-songwriter Sinéad O'Connor, released on 11 August 2014 on Nettwerk Music Group. The album was originally to be called The Vishnu Room after the song of the same name, but was changed, along with its original cover design, shortly before release in support of the Ban Bossy campaign.
Sinéad O’Connor, the Irish singer/songwriter of enormous talent and integrity who rose to fame in the late ‘80s, died in London on Wednesday at the age of 56. O’Connor’s second album ...
Sinead O’Connor had been “completing her new album”, reviewing tour dates for next year and was also considering “opportunities” around a movie of her book, her management company has said.
Sinead O'Connor. (Mick Hutson / Redferns via Getty Images) A singer-songwriter of uncommon ferocity and tenderness, Sinéad O’Connor may have been fated to have a short-lived career as a pop star.
Universal Mother is the fourth studio album by Irish singer Sinéad O'Connor, released on 13 September 1994. "That album was the first attempt to try to expose what was really underneath a lot of the anger of the other records," she explained, adding, "George Michael told me he loved that record, but could only listen to it once because it was so painful.
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