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Mudflap girl. Mudflap Girl is a silhouette of a woman with an hourglass body shape, sitting, leaning back on her hands, with her hair being blown in the wind. The image was created in the 1970s and is found on mudflaps, clothing, and other items associated with trucking in the United States. [1] The image is also referred to as trucker girl or ...
Gibson Girl. The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1] The artist saw his creation as representing the composite of ...
Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s. Tall, stiff collars characterize the period, as do women's broad hats and full "Gibson Girl" hairstyles. A new, columnar silhouette introduced by the couturiers of Paris late in the decade signaled the approaching abandonment ...
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Spinning dancer. The Spinning Dancer, also known as the Silhouette Illusion, is a kinetic, bistable, animated optical illusion originally distributed as a GIF animation showing a silhouette of a pirouetting female dancer. The illusion, created in 2003 by Japanese web designer Nobuyuki Kayahara, [1] [2] involves the apparent direction of motion ...
A version of Rubin's vase. Rubin's vase (sometimes known as the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin. [1]
The comments section was just as stunned. "Wolf tried to sneak into Granny’s house and she turned him into a pet," joked one commenter. "Ten bucks says she found it as a baby and it knows no ...
Silhouette. A silhouette ( English: / ˌsɪluˈɛt /, [1] French: [silwɛt]) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the silhouette is usually presented on a light ...
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