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A sealskin parka for a woman or man required five skins. [ 9] In the past, Yup'ik people relied on seals primarily for their meat, oil, and skin. The hide and sinew were commonly used as clothing, rope, nets, and for sewing. Sealskin could be used to make strands for rope and were used to make maklak skin boots.
Women's traditional caribou skin outfit with amauti parka, trousers, mitts and long boots with side pouches. The back of the parka has an amaut or pouch for carrying a baby. From Baker Lake, Eskimo Point and Hikoligjuaq, west of Hudson Bay. Collected on 5th Thule Expedition, 1921–1924. Modern women's parka created by Inuk designer Victoria ...
1650–1700 in Western fashion. The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678. Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
The clothing was created by the careful sewing of animal skins and furs using ivory needles, which were highly valuable in Inuit society. The process of preparing skins to be sewn together for creating clothes was done by women and was an arduous task. Skins had to be scraped, stretched, and softened before they were ready to be sewn. [7]
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1300–1400 in European fashion. Clothing of the first half of the 14th century is depicted in the Codex Manesse. In the lower panel, the man is dressed as a pilgrim on the Way of St James with the requisite staff, scrip or shoulder bag, and cockle shells on his hat. The lady wears a blue cloak lined in vair, or squirrel, fur.
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