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Freestyle Script is an informal display script typeface that was designed by Colin Brignall in 1969 and Martin Wait in 1981, by Letraset. Freestyle Script is famously used for commercials in 1980s, birthday cards, decorative, logos and many others.
Script typefaces are based on the varied and often fluid stroke created by handwriting. [1][2] They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting.
This is a list of script typefaces. This list details standard script typefaces and computer fonts used in classical typesetting and printing. Calligraphic
The National Parks ‘font’ has finally been digitized. The iconic typeface is the product of sign shop chiseling gear. Fonts are as synonymous with a brand as a logo, and these days every kind ...
Foundry. International Typeface Corporation. ITC Kristen is a casual script typeface consisting of two weights designed by George Ryan for the International Typeface Corporation (ITC). It was inspired by a handwritten menu at a Cambridge, Massachusetts restaurant, [1][2] and has an asymmetric structure suggesting a child's handwriting.
Kuenstler Script. Kuenstler Script is a formal script typeface. The primary weight was designed in 1902 by the in-house studio at the D Stempel AG foundry. It was originally titled Künstlerschreibschrift, which translates from German to English as "handwriting of artists". The face is based on late nineteenth-century English copperplate scripts.
Bookman (typeface) Bookman, or Bookman Old Style, is a serif typeface. A wide, legible design that is slightly bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text. In advertising use it is particularly associated with the graphic design of ...
Antiqua (/ ænˈtiːkwə /) [1] is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. [2] Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur -style typefaces where the individual strokes are broken apart.