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John Philip Sousawas an American composer and conductor of the late Romantic eraknown primarily for American military marches.[1] He composed 136 marches from 1873 until his death in 1932. [a][2]He derived few of his marches from his other musical compositions such as melodiesand operettas.
John Philip Sousa ( / ˈsuːzə, ˈsuːsə / SOO-zə, SOO-sə, [ 1][ 2] Portuguese: [ˈso (w)zɐ]; November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known primarily for American military marches. [ 3] He is known as "The March King" or the "American March King", to distinguish him from his ...
Performed by the United States Marine Band. file. help. " The Stars and Stripes Forever " is a patriotic American march written and composed by John Philip Sousa in 1896. By a 1987 act of the U.S. Congress, it is the official National March of the United States of America. [ 1]
This is a list of compositions by John Philip Sousa. By genre. Sources: Concert pieces The Summer Girl (1901) ... We March, We March to Victory (1914) (hymn) Boots (1916)
John Philip Sousa in his Marine Corps uniform. In 1892 he left the Marines to start his own band, which he led for the next 39 years, earning a new title, “the American March King.”
The Washington Post (march) " The Washington Post " (often called " The Washington Post March ") is a march composed by John Philip Sousa in 1889. Since then, it has remained as one of his most popular marches throughout the United States and many other countries.
The march is "addressed to no particular nation, but to all of America's friends abroad." In 1901, John Philip Sousa heard the Virginia Tech Regimental Band (The Highty-Tighties) playing "The Thunderer" at the Pan-American Exposition in Buffalo, New York. Sousa was so impressed that he dedicated a performance of his latest march, "Hands Across ...
Semper Fidelis (march) " Semper Fidelis ", written in 1888 by John Philip Sousa, is regarded as the official march of the United States Marine Corps. This piece was one of two composed in response to a request from United States President Chester A. Arthur for a new piece to be associated with the United States President.
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