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The harmonic minor scale (or Aeolian ♯ 7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [ 2][ 3][ 4] creating an augmented second between the sixth and seventh degrees. Thus, a harmonic minor scale is represented by the following notation: A harmonic ...
Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II 7 ...
Phrygian dominant scale. In music, the Phrygian dominant scale is the fifth mode of the harmonic minor scale, the fifth being the dominant. [ 1] Also called the altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [ 2] ). It resembles the Phrygian mode but with a major third, rather than a minor third.
Template documentation This template's initial visibility currently defaults to autocollapse , meaning that if there is another collapsible item on the page (a navbox, sidebar , or table with the collapsible attribute ), it is hidden apart from its title bar; if not, it is fully visible.
List of chord progressions. The following is a list of commonly used chord progressions in music . Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.
L'estro armonico (The Harmonic Inspiration), Op. 3, is a set of 12 concertos for string instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1 , and Twelve Violin Sonatas, Op. 2 , only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in ...
A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music. It is intended primarily for a rhythm section (usually consisting of piano, guitar, drums and bass ).
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...