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List of set classes. Ninth chord. Open chord. Passing chord. Primary triad. Quartal chord. Root (chord) Seventh chord. Synthetic chord.
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Phrygian dominant scale. In music, the Phrygian dominant scale is the fifth mode of the harmonic minor scale, the fifth being the dominant. [ 1] Also called the altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [ 2] ). It resembles the Phrygian mode but with a major third, rather than a minor third.
Download Desktop Gold. AOL Desktop Gold is included at no additional cost with your membership. 2. Under 'All Products' scroll to 'AOL Desktop Gold'. If you have an AOL Desktop Gold trial or subscription. Using the link in the Official AOL signup confirmation email you received. 1.
Eusebio "Chato" Grados was the second of the seven children of the marriage of the miner and musician Mateo Grados Tiza and the peasant and amateur singer Marina Robles Cabello. During his childhood he followed in his father's footsteps and worked in the mines of his native Pasco, while beginning his artistic career entertaining workers during ...
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
Although this template will create a table up to great-great-grandparents (ahnentafel 31) it will be wider than easily represented on most screens and/or printers so consider using {{ Ahnentafel }} or {{ Ahnentafel-tree }} instead. Optional parameters: boxstyle_1=background-color: #fcc; boxstyle_2=background-color: #fb9;
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...