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The song's music video, directed by Cameron Duddy and Mars, was released on August 13, 2017, and features American actress and singer Zendaya. Mars performed "Versace on the Floor" during the 2017 Billboard Music Awards and on his 24K Magic World Tour (2017–2018). The song was nominated for The Ashford & Simpson Songwriter's Award at the 2017 ...
Alternative cover. CD single cover of the live version. Music video. "Leave the Door Open" on YouTube. " Leave the Door Open " is the debut single by the American superduo Silk Sonic, consisting of Bruno Mars and Anderson .Paak, from their studio album An Evening with Silk Sonic (2021). The song was written by the artists alongside Brody Brown ...
The music video for the song, directed, produced and edited by Clean Bandit, was released on the same day as the single. [5] In the video, Anne-Marie embarks on a train journey driven by Jack and Luke Petterson after splitting from her disloyal partner, while Grace Chatto serves tea and plays the cello.
The song is a hip hop soul, new jack swing, R&B and funk track. The song's lyrics address extravagance, a luxurious lifestyle, and love. "That's What I Like" received mixed reviews from music critics, some of whom considered the song to be one of the best on 24K Magic, while others criticized its lyrical content.
The Weary Blues at Wikisource. "The Weary Blues" is a poem by American poet Langston Hughes. Written in 1925, [ 1] "The Weary Blues" was first published in the Urban League magazine Opportunity. It was awarded the magazine's prize for best poem of the year. The poem was included in Hughes's first book, a collection of poems, also entitled The ...
Weekly chart performance for "I Don't Wanna Wait" Chart (2024) Peak position Australia [3]57 Australia Dance [4]6 Austria (Ö3 Austria Top 40) [5]8 Belarus Airplay [6]
The Face upon the Barroom Floor. " The Face upon the Barroom Floor ", aka " The Face on the Floor " and " The Face on the Barroom Floor ", is a poem originally written by the poet John Henry Titus in 1872. A later version was adapted from the Titus poem by Hugh Antoine d'Arcy in 1887 and first published in the New York Dispatch .
The song also has the sequence of G ♭-B ♭ m 7-G ♭ /C ♭-D ♭-E ♭ m-D ♭ as its chord progression. [6] Houston's vocals in the song span from the note of D ♭ 4 to the high note of G 5. [6] Lyrically, the song speaks about the lead woman trying to discern whether a man she likes will ever like her back. [8]