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When describing popular music artists, honorific nicknames are used, most often in the media or by fans, to indicate the significance of an artist, and are often religious, familial, or most frequently royal and aristocratic titles, used metaphorically. Honorific nicknames were used in classical music in Europe even in the early 19th century ...
A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven 's Piano Concerto No. 5 in E-flat major, Op. 73. Jupiter, the nickname of Mozart 's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs ...
The Tempest Symphonic Fantasia after Shakespeare, Op. 18 (1873) Hamlet Overture-Fantasia, Op. 67a (1888) The above three works are based on plays by Shakespeare. Francesca da Rimini, Op. 32 (1876) is based on Dante 's Inferno. Manfred Symphony in four scenes after the dramatic poem by Byron, Op. 58.
A pseudonym is a name adopted by a person for a particular purpose, which differs from their true name. A pseudonym may be used by social activists or politicians for political purposes or by others for religious purposes. It may be a soldier's nom de guerre or an author's nom de plume.
They are sorted alphabetically by the television series' title. Any themes, scores, or songs which are billed under a different name than their respective television series' title are shown in parentheses, except in cases where they are officially billed as "Theme from [Series' Name]", "[Series' Name] Theme", etc., which are omitted.
Individuals who dropped their last name and substituted their middle name as their last name are listed. Those with a one-word stage name are listed in a separate article. In many cases, performers have legally changed their name to their stage name. Note: Many cultures have their own naming customs and systems, some rather intricate.
This page contains naming conventions for music-related articles, covering both classical musical works and popular bands, albums and songs. The first step for disambiguating classical compositions is rather a reference to their composer, while popular music is rather disambiguated by a type qualifier. Cross-over rather follows the popular ...
Ballroom dance music: pasodoble, cha cha cha and others. Vogue (dance) Children's music. Dance music. Slow dance. Drug use in music. Incidental music or music for stage and screen: music written for the score of a film, play, musicals, or other spheres, such as filmi, video game music, music hall songs and showtunes and others. Bedroom production.