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  2. U-matic - Wikipedia

    en.wikipedia.org/wiki/U-matic

    U-matic or 3⁄4-inch Type E Helical Scan[ 1][ 2] or SMPTE E[ 3] is an analogue recording videocassette format first shown by Sony in prototype in October 1969, and introduced to the market in September 1971. It was among the first video formats to contain the videotape inside a cassette, as opposed to the various reel-to-reel or open-reel ...

  3. Type C videotape - Wikipedia

    en.wikipedia.org/wiki/Type_C_videotape

    Compared to Quad, Type C had a smaller size, comparative ease of operation, and slightly higher video quality. 1-inch Type C is capable of "trick-play" functions such as still, shuttle, and variable-speed playback, including slow motion. 2-inch quadruplex videotape machines lacked these capabilities, due to the segmented manner in which it recorded video tracks onto the magnetic tape. 1-inch ...

  4. Reel-to-reel audio tape recording - Wikipedia

    en.wikipedia.org/wiki/Reel-to-reel_audio_tape...

    A reel-to-reel tape recorder (Sony TC-630), typical of a 1970s audiophile device. Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel (or feed reel) containing the tape is placed on a spindle or hub.

  5. Videotape - Wikipedia

    en.wikipedia.org/wiki/Videotape

    A 14-inch reel of 2-inch quad videotape compared with a modern-day MiniDV videocassette. Both media store one hour of color video. The first commercial professional broadcast quality videotape machines capable of replacing kinescopes were the two-inch quadruplex videotape (Quad) machines introduced by Ampex on April 14, 1956, at the National Association of Broadcasters convention in Chicago.

  6. Audio tape specifications - Wikipedia

    en.wikipedia.org/wiki/Audio_tape_specifications

    As well as 1 ⁄ 4 in (6.4 mm) tape, studio and multitrack machines use tape widths of 12, 1, and 2 inches (12.7, 25.4, and 50.8 mm), and at least one 3 inches (76.2 mm) [citation needed] machine was available for a time. There is also a 35 mm width, but this variety is more similar to the motion picture stock of the same width. It is ...

  7. History of multitrack recording - Wikipedia

    en.wikipedia.org/wiki/History_of_multitrack...

    It stood over 7 feet (2.1 m) tall and weighed 250 pounds (110 kg). Eight tracks were chosen because that was the number of 0.070 inches (1.8 mm) recording tracks with 0.060 inches (1.5 mm) guard tracks that would fit on a 1 inch (25 mm) recording tape, the widest tape available at the time. [3]

  8. D-1 (Sony) - Wikipedia

    en.wikipedia.org/wiki/D-1_(Sony)

    D-1 or 4:2:2 D-1 (1986) was a major feat in real time, broadcast quality digital video recording. It stores uncompressed digitized component video, encoded at Y'CbCr 4:2:2 using the CCIR 601 raster format with 8 bits, [1] [2] along with PCM audio tracks as well as timecode on a 3/4 inch (19 mm) videocassette tape (though not to be confused with the ubiquitous 3/4-inch U-Matic/U-Matic SP cassette).

  9. Betacam - Wikipedia

    en.wikipedia.org/wiki/Betacam

    Technical Support 1982-2023[ 1][ 2] Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, Betacam singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. All Betacam variants from (plain) analog recording Betacam to Betacam ...