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2. Sign on with your username and password. 3. Click the Write icon at the top of the window. 4. Click a button or its drop-down arrow (from left to right): • Select a font. • Change font size. • Bold font. • Italicize font. • Underline words. • Choose a text color. • Choose a background text color. • Change your emails format.
If the font size in your messages list and emails is causing readability issues, changing it may help. To increase the font size: 1. Click the Settings Icon. 2. Toggle on Enable large text size to increase text size. To switch back to the default font size, toggle this setting off again.
Change any of the following settings, then click Save to finalize your selection: • Cc/Bcc Select whether or not you want Cc/Bcc displayed. • Default Compose Mode Select how you want the compose screen displayed. • Write mail in a pop-up screen. • Write mail in full plane compose. • Write mail in a separate window.
Password strength is a measure of the effectiveness of a password against guessing or brute-force attacks. In its usual form, it estimates how many trials an attacker who does not have direct access to the password would need, on average, to guess it correctly. The strength of a password is a function of length, complexity, and unpredictability ...
When scrolling through the font options, you'll see a message preview to the right to show you what the font will look like. 1. Click on the Settings icon . 2. Click on More Settings . 2. Click on Writing email. 3. Under "Default rich-text font" select your preferred font style and size.
If you rue the inevitable day when IT makes you change your password, you're not alone. It is incredibly frustrating to constantly think of new passwords with a capital letter, a special character ...
In software design, the look and feel of a graphical user interface comprises aspects of its design, including elements such as colors, shapes, layout, and typefaces (the "look"), as well as the behavior of dynamic elements such as buttons, boxes, and menus (the "feel"). The term can also refer to aspects of a non-graphical user interface (such ...
"Optima nova" is a redesign of the original font family, designed by Hermann Zapf and Linotype GmbH type director Akira Kobayashi. [15] [16] The new family contains seven font weights, adding light, demi, and heavy font weights, but removing extra black weight. Medium weight is readjusted to between medium and bold weights in the old family scale.