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Music of. Portal 2. Portal 2 is a physics-based puzzle-platform game created by Valve and released on Microsoft Windows, Mac OS X, PlayStation 3, Xbox 360 and Linux in April 2011, followed by a Nintendo Switch version in June 2022. The game, set in the desolate, labyrinthine Aperture Science facility, challenges the player to navigate test ...
Single-player, multiplayer. Portal 2 is a 2011 puzzle-platform game developed by Valve for Windows, Mac OS X, Linux, PlayStation 3, and Xbox 360. The digital PC version is distributed online by Valve's Steam service, while all retail editions were distributed by Electronic Arts. A port for the Nintendo Switch was included as part of Portal ...
"Intro (End of the World)" is 1 minute and 32 seconds long. Grande wrote and produced the song with Shintaro Yasuda, Nick Lee, and Aaron Paris, the three of whom handled programming . Yasuda played keyboards , Lee played keyboards and trombone , and Paris played bass , guitar, synthesizer , and violin.
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YouTube’s “app store” for games is rolling out more broadly. The company announced on Tuesday that its collection of lightweight, free games dubbed “Playables” will soon start to appear ...
Cave Johnson (. ) Cave Johnson is a fictional character from the Portal franchise first introduced in the 2011 video game Portal 2. He is voiced by American actor J. K. Simmons and created in part by Portal 2 ' s designer Erik Wolpaw. He is referenced by a computer username in the first game and appears indirectly in Portal 2.
Joshua Kraft is an American nonprofit executive who is the head of Kraft Family Philanthropies and board chairman of the National Urban League 's Eastern Massachusetts chapter. Kraft previously worked for twelve years as CEO of the Boys & Girls Club 's Boston chapter. Kraft is a son of Robert Kraft, owner of the New England Patriots NFL team.
Background and composition "Angel Numbers / Ten Toes" is an R&B track, composed by two different parts. The song's first half was described by Kayla Sandiford of Renowned for Sound as an "emotive, dreamlike acoustic introduction", with Brown seeking out "healing through a wish for refuge from the pressures of mental health".