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"Don't Say Goodnight (It's Time for Love)" is a 1980 soul and quiet storm record by the Isley Brothers, released on their T-Neck imprint. The track was released as the first single from their 1980 platinum album , Go All the Way .
"Back for Good" is a song by English band Take That from their third studio album, Nobody Else (1995). Released on March 27, 1995 by RCA and Arista, it was written by lead singer Gary Barlow, who also co-produced it with Chris Porter.
"Feel Like Makin' Love" is a song composed by singer-songwriter and producer Eugene McDaniels, and recorded originally by soul singer-songwriter Roberta Flack.The song has been covered by R&B and jazz artists including D’Angelo, Roy Ayers, Gladys Knight & the Pips, Lou Rawls, Isaac Hays, George Benson, Jeffrey Osborne, Larry Coryell, Johnny Mathis, and Marlena Shaw.
Stop Making Sense is an independently produced 1984 American concert film featuring a live performance by the American rock band Talking Heads. [5] The film was directed by Jonathan Demme and executive produced by Gary Kurfirst, the band’s longtime manager.
"Red Neckin' Love Makin' Night" is a song written by Troy Seals and Max D. Barnes, and recorded by American country music artist Conway Twitty. It was released in October 1981 as the second single from the album Mr. T. The song was Twitty's 27th number one hit on the country chart as a solo artist.
If you’re a YouTube creator, HDR (high dynamic range) video is a good way to draw eyeballs and make your footage look as beautiful as possible. Compared to standard video (SDR), it’s far ...
"The Love You Take" is a duet song by American musician-singer-songwriter Dan Hartman and freestyle\dance singer Denise Lopez. As part of the official soundtrack for the 1988 comedy film Scrooged , starring Bill Murray , it would be released as a single.
Making a Good Thing Better is the ninth studio album by British-Australian singer Olivia Newton-John, released on June 1977. The album peaked at No. 34 on the US Pop chart and No. 13 on the Country chart. [1] It was Newton-John's first album not to reach the country top 10.