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A one-hit wonder is a musical artist who is successful with one hit song, but without a comparable subsequent hit. [1] The term may also be applied to an artist who is remembered for only one hit despite other successes (such as "Take On Me" by a-ha in the United States, [2] [3] [4] which topped a Rolling Stone magazine poll to find the top one-hit wonder).
The song opens with a single guitar repeatedly playing a simple four-note riff before the bass, rhythm guitar, organ, drums and vocals begin. "Pictures of Matchstick Men" is one of a number of songs from the late 1960s which feature the flanging audio effect. The band's next single release, "Black Veils of Melancholy", was similar but flopped ...
1967. 1968. 1969. 1970s →. The Beatles earned the most number-one hits (18 songs) and remained the longest at the top of the Billboard Hot 100 chart (55 weeks) during 1958–1969. Elvis Presley remained at the top of the Billboard number-one singles chart for 22 weeks during 1958–1969. The Supremes scored 12 number-one singles during 1958 ...
From a classical point of view, the 1960s were also an important decade as they saw the development of electronic, experimental, jazz and contemporary classical music, notably minimalism and free improvisation. [ 9] In Asia, various trends marked the popular music of the 1960s. In Japan, the decade saw the rise in popularity of several Western ...
Billboard. Year-End Hot 100 singles of 1960. "Theme from A Summer Place" by Percy Faith was the number one song of 1960. Bobby Rydell had four songs on the Year-End Hot 100. Brenda Lee had four songs on the Year-End Hot 100. Connie Francis had four songs on the Year-End Hot 100. The Everly Brothers had four songs on the Year-End Hot 100.
The Wrecking Crew, also known as the Clique and the First Call Gang, was a loose collective of American session musicians based in Los Angeles who played on many studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized at the time, but were viewed with reverence by industry insiders ...
"Pictures of Matchstick Men" - Rossi, 1968 (Picturesque Matchstickable Messages from the Status Quo), re-recorded in 1999 "Poor Old Man" - Rossi/Parfitt, 1969 (Spare Parts) "Sheila" - Roe, 1968 (Picturesque Matchstickable Messages from the Status Quo) "Shy Fly" - Rossi/B. Young, 1970 (Ma Kelly's Greasy Spoon)
This includes artists who have either been very important to the funk genre or have had a considerable amount of exposure (such as in the case of one who has been on a major label). Bands are listed by the first letter in their name (not including the words "a", "an", or "the"), and individuals are listed by last name.