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Psychology. Philosophy of psychology is concerned with the history and foundations of psychology. It deals with both epistemological and ontological issues and shares interests with other fields, including philosophy of mind and theoretical psychology. Philosophical and theoretical psychology are intimately tied and are therefore sometimes used ...
Mental images are an important topic in classical and modern philosophy, as they are central to the study of knowledge. In the Republic , Book VII, Plato has Socrates present the Allegory of the Cave : a prisoner, bound and unable to move, sits with his back to a fire watching the shadows cast on the cave wall in front of him by people carrying ...
Mental representation is the mental imagery of things that are not actually present to the senses. [ 3] In contemporary philosophy, specifically in fields of metaphysics such as philosophy of mind and ontology, a mental representation is one of the prevailing ways of explaining and describing the nature of ideas and concepts .
Jungian archetypes. Jungian archetypes are a concept from psychology that refers to a universal, inherited idea, pattern of thought, or image that is present in the collective unconscious of all human beings. The psychic counterpart of instinct, archetypes are thought to be the basis of many of the common themes and symbols that appear in ...
It highlights the automatic and cognitive processes involved in identifying and interpreting emotional states in oneself and others. This theory has implications for fields such as psychology, philosophy, and cognitive science and contributes to our understanding of the social and cultural aspects of emotions.
In Physics II .1, Aristotle defines a nature as "a source or cause of being moved and of being at rest in that to which it belongs primarily". [ 1] In other words, a nature is the principle within a natural raw material that is the source of tendencies to change or rest in a particular way unless stopped. For example, a rock would fall unless ...
Aesthetics of nature developed as a sub-field of philosophical ethics. In the 18th and 19th century, the aesthetics of nature advanced the concepts of disinterestedness, the pictures, and the introduction of the idea of positive aesthetics. [1] The first major developments of nature occurred in the 18th century.
The philosophy of perception is concerned with the nature of perceptual experience and the status of perceptual data, in particular how they relate to beliefs about, or knowledge of, the world. [ 1] Any explicit account of perception requires a commitment to one of a variety of ontological or metaphysical views.