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Single-player, multiplayer. Portal 2 is a 2011 puzzle-platform game developed by Valve for Windows, Mac OS X, Linux, PlayStation 3, and Xbox 360. The digital PC version is distributed online by Valve's Steam service, while all retail editions were distributed by Electronic Arts. A port for the Nintendo Switch was included as part of Portal ...
Portal is a series of first-person puzzle-platform video games developed by Valve.Set in the Half-Life universe, the two main games in the series, Portal (2007) and Portal 2 (2011), center on a woman, Chell, forced to undergo a series of tests within the Aperture Science Enrichment Center by a malicious artificial intelligence, GLaDOS, that controls the facility.
Psychology portal. v. t. e. The CRAFFT[1] is a short clinical assessment tool designed to screen for substance-related risks and problems in adolescents. CRAFFT stands for the key words of the 6 items in the second section of the assessment - C ar, R elax, A lone, F orget, F riends, T rouble. As of 2020, updated versions of the CRAFFT known as ...
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Michael Avon Oeming (young appearance) (Portal 2: Lab Rat) Andrea Wicklund (older appearance) (Portal 2: Lab Rat) Voiced by. Unknown (vocalizations in some music tracks) Doug Rattmann, often referred to as the " Ratman" is a character in both Portal and Portal 2. He was a former scientist working at Aperture and one of the few who survived when ...
Kraft Foods Inc. (/ ˈ k r æ f t /) was a multinational confectionery, food and beverage conglomerate. [4] It marketed many brands in more than 170 countries. Twelve of its brands annually earned more than $1 billion worldwide: Cadbury, Jacobs, Kraft, LU, Maxwell House, Milka, Nabisco, Oreo, Oscar Mayer, Philadelphia, Trident, and Tang. [5]
The Defenders. Spouse (s) Jennifer Bush-Kraft. David Anthony Kraft (May 31, 1952 [1][2] – May 19, 2021) was an American comic book writer, publisher, and critic. He was primarily known for his long-running journal of interviews and criticism, Comics Interview, as well as for work for Marvel Comics in the late 1970s and early 1980s.
The book is an edited transcript of a recording made by the contributors in which they discuss globalised popular culture while staying at Berlin's Hotel Adlon. For some commentators this publication constituted the high-water mark of so-called Popliteratur – a literary marketing phenomenon for which Kracht was the supposed figurehead. [ 4 ]