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"Honey", also known as "Honey (I Miss You)", is a song written by Bobby Russell. He first produced it with former Kingston Trio member Bob Shane , who was the first to release the song. It was then given to American singer Bobby Goldsboro , who recorded it for his 1968 album of the same name , originally titled Pledge of Love .
Glenn Robertson Yarbrough (January 12, 1930 – August 11, 2016) was an American folk singer and guitarist. He was the lead singer (tenor) with the Limeliters from 1959 to 1963 and also had a prolific solo career. Yarbrough had a restlessness and dissatisfaction with the music industry which led him to question his priorities, later focusing on ...
Honey Don't. " Honey Don't " is a song written by Carl Perkins, originally released on January 1, 1956 [2] as the B-side of the "Blue Suede Shoes" [1] single, Sun 234. Both songs became rockabilly classics. Bill Dahl of Allmusic praised the song saying, " 'Honey Don't' actually outclasses its more celebrated platter-mate in some ways." [3]
Ma Baby " is a Tin Pan Alley song written in 1899 by the songwriting team of Joseph E. Howard and Ida Emerson, known as "Howard and Emerson". [ 1] Its subject is a man who has a girlfriend he knows only through the telephone. At the time, telephones were relatively novel, present in fewer than 10% of U.S. households, and this was the first well ...
by Edwin H Morris & Co. Genre. Pop. Composer (s) Harold Arlen. Lyricist (s) Johnny Mercer. " One for My Baby (and One More for the Road) " is a song written by Harold Arlen and Johnny Mercer for the movie musical The Sky's the Limit (1943) and first performed in the film by Fred Astaire .
In a medium bowl, whisk the soy sauce with the whiskey, honey, ginger, white pepper, sesame oil, cinnamon and nutmeg. Pour the marinade over the ribs and turn to coat. Cover and refrigerate for 4 ...
The 1980 Smurfs album Smurfing Sing Song includes a version of this song titled "Smurf Baby", in which the chorus is repeated with the name "Bill Bailey" replaced with "Smurf Baby". Sandler & Young recorded a 20-minute medley where Bill Bailey is adapted to various styles, including the Nashville sound , Italian opera , Bach , and Israeli music ...
It features a basic chord progression of A ♭-F ♭-1. [8] Carey's vocal range in the song spans from the low note of C 3 to the high note of B ♭ 5; with the piano and guitar pieces ranging from G ♭ 3 to G ♭ 5. [8] The track was very different from anything Carey had ever recorded, and was described as "street Hip-Hop music, with a ...
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